Tonight's Movie: The Moonlighter (1953) - A Warner Archive DVD Review
Barbara Stanwyck and Fred MacMurray teamed for the third of their four films together in THE MOONLIGHTER (1953), available on DVD from the Warner Archive.

Stanwyck and MacMurray had previously worked together on what's now regarded as a Christmas classic, REMEMBER THE NIGHT (1940), before starring in their best-known film, DOUBLE INDEMNITY (1944).

Nearly a decade passed before they worked together again in THE MOONLIGHTER, after which they teamed for one more movie, the well-regarded Douglas Sirk film THERE'S ALWAYS TOMORROW (1956). THERE'S ALWAYS TOMORROW will be out on Blu-ray in August from Kino Lorber.

THE MOONLIGHTER is a black and white 3D Western, filmed by Bert Glennon, which comes complete with an intermission card at the film's 45-minute mark to allow for reel changes. However, other than the opening credits sequence and the intermission, there's little in the 2D version to tip off viewers that it was originally shown in the 3D format.

This relatively short 78-minute Western was written by Niven Busch, who tended to write fairly dark Western screenplays and stories, including PURSUED (1947) and THE MAN FROM THE ALAMO (1953).

Unfortunately THE MOONLIGHTER isn't just dark, its characters act in ways which at times are nearly incomprehensible. They're not particularly sympathetic people, and the conclusion, which won't be revealed here, is jaw-dropping.

I can't believe I'm saying this about a film with Stanwyck, MacMurray, and Ward Bond, but this film goes on a short list as one of the most unlikeable Westerns I've ever seen. Given how much I love the genre and at least enjoy most Westerns, that's saying something.

This turn-of-the-century Western starts out in disturbing fashion with Wes Anderson (MacMurray) in jail for cattle rustling. A lynch mob (including Morris Ankrum and Jack Elam) forces its way into the jail -- and then hangs the wrong man.

Anderson escapes and wreaks vengeance on the lynchers who murdered an innocent man. He then retreats to his family home for the first time in half a decade, where he expects his one-time love Rela (Stanwyck) to still be waiting for him. He's not happy to find out she's taken up with his brother Tom (William Ching), a bank teller.

Wes's old friend Cole Gardner (Bond) shows up in town, and he and Wes plan to rob the bank. Tom, having been laid off for being overly distracted due to Wes's presence, decides to join in. Let's just say it doesn't go particularly well.

Rela is among those deputized to hunt down the robbers...and where it goes from there viewers will have to find out for themselves. My mouth was agape as "The End" came up.

I have enjoyed a number of films directed by Roy Rowland and am particularly fond of his Stewart Granger Western GUN GLORY (1957).

This one, however, just doesn't work, even with elements which should have been interesting, such as the use of an automobile as a getaway vehicle in what's otherwise a fairly standard Western setting. A flashback sequence shoehorned into the first half of the film is downright awkward. The movie progresses from upsetting to boring to unbelievable.

I'm not sure how much of it is Rowland's fault, as the script is just not very good and I'm not sure there was a way to make the characters more appealing. MacMurray is a nasty user with delusions of grandeur (he really thinks his gal should have waited for him for five years?!), while Ching starts out as a strong, respectable man but quickly turns into a whiny loser.

Even Stanwyck's character, a woman nervy enough to head out on horseback hunting down criminals, lacks depth -- and in some ways she's not very bright.

The most interesting moment in the film was Ward Bond's first scene, showing up in the bank and keeping a close eye on Tom. How I was hoping he was a cagey lawman hunting down Wes! Things seemed as though they might be getting interesting.  Alas, it was not to be.

Most Westerns I see have at least some positive elements, but this one simply didn't work for me.

The supporting cast includes Myron Healey, Charles Halton, Almira Sessions, John Dierkes, Richard Powers (Tom Keene), Sam Flint, and Byron Foulger.

The Warner Archive DVD has a good print and sound. There are no extras on the disc.

Thanks to the Warner Archive for providing a review copy of this DVD. Warner Archive releases are MOD (manufactured on demand) and may be ordered from the Warner Archive Collection at the WBShop or from any online retailers where DVDs and Blu-rays are sold.
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